2022年12月31日土曜日
大晦日に惑星パレード
7惑星と月が一度に確認出来るのが次は39年後
生きて見る事は出来ません。肉眼では5惑星が確認可能でしたが火星、木星以外はアプリで確認しないと分からない状態しかし何か惑星のパワーを頂いたようで来年の飛躍台にしたいです。
2022年12月30日金曜日
2022年12月29日木曜日
2022年12月28日水曜日
2022年12月27日火曜日
2022年12月26日月曜日
2022年12月25日日曜日
2022年12月24日土曜日
2022年12月23日金曜日
2022年12月22日木曜日
2022年12月21日水曜日
2022年12月20日火曜日
2022年12月19日月曜日
サッカーW杯決勝
1ヶ月のW杯が幕を閉じた、決勝はアルゼンチン対フランス、決勝に相応しい素晴らしい試合でした。日本のドイツ、スペインを破り決勝トーナメント進出も感動したが決勝の試合もフランスの追いつきは感動でした。しかしこの大会PKが多かった、各チームの力が均衡しているからでしょう。と言う事は以前も書いたがPKの練習が大事だと言う事、前回はキーパーの攻め方を書いたが今回はキッカーについて。データ分析すると左右上コーナーが一番キーパーが止めれない事が出ています。キッカーはゴール上にボールが浮き上がることを怖がり蹴れないらしいが浮かない技術や練習をしなくては行けないのでは、試合でもいいシュートが打てても浮き上がるボールがよくある、浮き上がらない回転をつける技術を身につけてほしい。
2022年12月18日日曜日
パミリア
久留米シティプラザにて演劇を観て来ました。外国人介護師の問題をテーマにした演劇パミリア。施設での介護師を日本の小郡地域で実際にやっていたフィリピン人のジェッサさんが日本での介護経験と筑後弁を駆使して80分の長いパフォーマンスを観客から選んだ患者と共演する劇、外国人介護師には様々な問題があるので考えさせられる事も沢山有りましたが監督、演出家は何を言いたいのかかが今ひとつ分かりませんでした。有名な演出家だったらしく客席は満席でした。
For you, who watch Pamilya at Kurume City Plaza.
ramaturg." In German, this term refers to a role who escorts a theatrical art work to
earcher by profession, I teach and write at a university. I always face the fact that researchers, espe
in humanities, are disliked. Researchers who work with numbers sometimes criticize us of being 'Less objective
research' or 'Whether it is reproducible. What is more difficult is that many researchets have the field as an object of
study, but if we misjudge the distance to the feld, people in the field often drive us into the corner saying "you are
exploiting the field from a researcher's viewpoint". Some say "Why should sentences cut out of like that?"
There are various objections by researchers against above opinions. I myself believe that researchers in humanities
to create new knowledge that those who are in the field can* t find out by themselves, by carefully vi
'rationality of the others, ie, the fields' unique rules or tacit understandings that can't be explained in other fields.
Consequenty, researchers cut out things that people in the field do not likely to cut out, compare them with existing
theories, ideas, or customs, and consider them by citing. This is the standpoint of researchers.
for Pamilya reads as follows:' the nursing care field into the stage.' Of course, what Takuya M
time is not the same as what researchers usually face. But I think that the way of thi
struggling points are somewhat similar. Because this work is made in a documentary-like way.
may not necessarily portray the truth, as with documentaries on TV or in films. Because
by someone's point of view and processed to fit the TV screen or the film screen.
t is quite natural. Here is not a room, bathroom, dining room, or recreation room in an aged pe
heatre, the C-Box at Kurume City Plaza. How can reality be recreated in this place? H
ogues,lights and gestures are very carefully adjusted in advance of the play. Of course, there
remained daily affairs as a prerequisite.
able part of both the research and the work is critique. It is not merely criticizing. To say
roces to struggle to think what value the object has for someone, when one looks at. And it is son
ting it into words. Furthermore, it is up to you, the audience, to decide what the work m
different persons with different backgrounds and different histories. Even if you see the sam
the person next to you feels and what you feel are quite different. I think one of the functions of a theatre is to be
able to notice such natural things. There is a meaning on sitting next to each other, with your knees close together,
and watching the work together.
It is the space where people from different backgrounds can look at one thing and get different ideas.
The freedom and diversity of viewing experience are just as important as the freedom of expression, which should
be protected. I hope you feel so by sharing this time.
Please enjoy your time at the theatre.
Dramaturg Yuichiro Nagats
(Associate Professor, Faculty of Design, Kyushu University
Yuichiro Nagatsu is a researcher who accompanies people to artistic opportunities where diverse relationships a
formed. He specializes in arts management and cultural poliey, and is particularly interested in Japanese tren
regarding artistic activities for people with disabilities In addition, he is a practitioner in education for practical my
skills and workshops, and management and producing in the field of theatre and dance